Sessions at Seventh International Conference on Music since 1900 & the International Conference of the Society for Music Analysis on Friday 29th July

Mei-Fen Hsin (Durham University)
“Excuse me, farmer, can you show me the way to Taipei?”: The impact of internal migration on Taiwanese popular song

Katie J. Graber (University of Wisconsin-Madison, USA)
America’s Musical Margins:
German-ness and Native Americans in Arthur Farwell’s Wa-Wan Press

Rachel Campbell (Sydney Conservatorium of Music, Australia)
“This Music Evokes Australia’s Loneliness”: Landscape music’s Australian inflections

Flora Henderson (School of Oriental and African Studies, UK)
Analysing Timbre as a Cross-Cultural Musical Experience.

Hong Ding (The Chinese University of Hong Kong)
Maximally Smooth Cycle and “Bian-fan” (Scale-degree-four Change):
Dilemma of Theory in Practice

David Feurzeig (University of Vermont, USA)
On Shifting Grounds: Meandering, Modulating, and Möbius Passacaglias

Cheong Wai Ling (Chinese University of Hong Kong)
Towards a Theory of Synaesthetic Composition: A Case Study of
Messiaen’s Colour-hearing

Eva Moreda (The Open University, UK)
Celebratory Music in 1940s Spain: the case of Joaquín Rodrigo’s Concierto Heroico

Caroline Waight (Cornell University, USA)
“A great French victory”: guilt and glory in Francis Poulenc’s Dialogues of the
Carmelites

Jennifer Donelson (Nova Southeastern University, USA)
He Said, They Said: Interrogating the Value of Composer Commentary and Critical Reviews in an Analysis of Meaning in Messiaen’s Vingt Regards sur l’Enfant-Jésus

Simon Desbruslais (Christ Church, Oxford, UK)
Hindemith’s Rules

Arnulf Christian Mattes (University of Oslo, Norway)
Cinematic influence? On Arnold Schoenberg's Time Charts for the String Trio Op. 45

Sarah Reichardt (University of Oklahoma, USA)
Sonata rhetoric and the hermeneutic implications in the finale movements of Dmitri Shostakovich’s String Quartets

Michael Baumgartner
Reconsidering the Meaning of Music in Film: Jean-Luc Godard’s Pierrot le fou

Felipe Otondo (Lancaster University, UK)
Deconstructing the urban soundscape of Mexico City

Kate Galloway (University of Toronto, Canada)
“Gently Penetrating Beneath the Sounding Surfaces of Another Place”: Applications of Acoustic Ecology and Environmentalism in the Soundscape Composition of Hildegard Westerkamp

In LICA A27

Paul Archbold
Antony Gritten
Joshua Banks
Christopher Redgate
Michael Spitzer
Helen Thomas

Programme will include:

Bill Evans: Transcriptions from ‘The Solo Sessions’ (1963)
What Kind Of Fool Am I? (Take 1)
All The Things You Are
Santa Claus Is Coming To Town
I Loves You, Porgy
What Kind Of Fool Am I? (Take 2)
Love Is Here To Stay
Ornithology
Medley: Autumn In New York / How About You?

In LICA A27

Oded Ben-Tal (Kingston University, UK)
electro+acoustic composition

Ricardo Climent (Manchester University, UK)
Hồ: A Sonic Expedition to Vietnam

Louise Harris (Kingston University, UK)
Off-line composition, real-time synthesis and aleatoric diffusion.

Diana Salazar (Kingston University, UK)
Dichotomies between technologies and traditions in fixed media and interactive composition.

Simon Waters (University of East Anglia, UK)
A Performance Ecosystem

David J. Weisberg (William Paterson University, USA)
Sounds Like Church:
Motive and Counterpoint in Kenny Barron’s ‘Song for Abdullah’

Eunmi Shim (Worcester Polytechnic Institute, USA)
Chromaticism in Lennie Tristano’s Jazz Improvisation

William Hughes
Exploring ‘The Solo Sessions’: Aspects of physicality in Bill Evans’ early solo style.

René Rusch (Schulich School of Music, McGill University, Canada)
From Rock to Jazz:
Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”

Christopher Mark (University of Surrey, UK)
Britten and Fugue

Georgia Petroudi (European University, Cyprus)
Protagonists, conflict and evolution in Britten’s Billy Budd

Danielle Ward-Griffin (Yale University, USA)
A Betrayal of Conception?: Restaging Britten's The Turn of the Screw for the Stratford Festival (Canada)

Lee Chambers (Texas Tech University, USA)
A Sign of God’s Grace: Liminal Transformation in Benjamin Britten’s Curlew River

David Bretherton (University of Southampton, UK)
Schenker’s Theories of Form

Ya-Hui Cheng (Fort Valley State University, USA)
“Something Human”: Dramatic Transformation in Puccini’s Turandot

Julian Horton (University College Dublin)
Beethoven’s Error? The Modulating Ritornello and the Post-classical Piano Concerto

Enoch S. A. Jacobus (University of Kentucky, USA)
Toward a Modern “Affektenlehre” in Music of Film and Television

Helen Alexander (University of Glasgow, UK)
Musical and Comic Timing in the MGM Animated Cartoon

Nicholas Reyland (Keele University, UK)
The Beginning of a Beautiful Friendship? Music Narratology and Screen Music Studies

Henry Klumpenhouwer (University of Alberta) - Three Miniatures

Nuffield Theatre, Great Hall Complex

Programme will include:

Paul Archbold - ...a little night music
Roger Redgate - Ausgangspunkte
Edwin Roxburgh – At the still point of the turning world
Improvisation - Oboe and electronics
David Gorton - Erinnerungsspiel
Diana Salazar - New Work